- Count View : 19
- آدرس کوتاه شده مقاله: https://bahareadab.com/article_id/2082
- کد IranDOI مقاله: IranDOI :10.irandoi.2002/bahareadab.2026 .19 .8316
Journal of the stylistic of Persian poem and prose
volume Number 19،
number In Volume 8،
،
issue Number 126
Reflection of the components of Romanticism in the mirror of Blake and Naderpour's poems
Hadi Shamilpour (Author in Charge)
Abstract
BACKGROUND AND OBJECTIVES: : Romanticism is one of the most important literary correspondences in the contemporary world, which is based on the West and its emergence coincided with the collapse of the system and the Industrial Revolution. All of which were not new and famous phenomena of classical humans and they were the most famous literary and artistic insights of nineteenth-century Romanticism. This school has been a natural imaginative art for those who seek to take refuge in a fading and imaginative world in terms of the hardships and difficulties of the industrial world. By reviving the landscapes of nature, we are trying to recall the lost blessing, or we were about to destroy it. For many years, the dominance of European art and literature was in fact provincial, after the dry rules of dry classicism and against aristocracy. In the poems of William Beck and Nader Naderpour, the components of romanticism are well seen.
METHODOLOGY: In this study, after examining the school of Romanticism, the characteristics of this school are expressed and then the poems of William Blake and Nader Naderpour will be analyzed.
FINDINGS: From reading the works and analyzing them, it seems that both poets chose this school together for personal reasons and together due to social conditions, so that it can have a great impact on nature due to their past life in nature and the reference to freedom and He observed death due to the unhealthy conditions of the society in their poems and the child played a role in some of the poems.
CONCLUSION: Sometimes both poets want to go back to the past and live in a simple rural environment, and sometimes they write about their past and childhood memories in their poems.
Keyword
Nader Naderpour
, William Blake
, School of Romanticism
- Al-Jaida, Abdul Majeed (1980), New Trends in Contemporary Arabic Poetry, First Nature, Beirut: Noufal Foundation.
- Ayoubi, Yassin (1984), Schools of Literature, Milestones and Reflections, The Second Nature, Beirut: Dar Al-Ilm Lil-Malayin.
- Barahni, Reza. (1992). Gold in Copper (Poetry and Poetry), First Edition, Volume 1, Tehran: Bi Na. (in Persian).
- Blake, wiliam (1982), The Complete Poetry & Prose of Wiliam Blake, Anchor; Revised edition.
- Dad, Sima. (2004). Dictionary of Literary Terms, Second Edition, Tehran: Morvarid. (in Persian).
- Dastghayib, Abdol Ali. (1994). Criticism of Shamloo's Works, Fifth Edition, Tehran: Arvin. (in Persian).
- Forrest, Lillian and Screen, Peter. (2001). Naturalism, translated by Hassan Afshar. Third edition, Tehran: Markaz Publishing House. (in Persian).
- Forrest, Terence. (2001). Metaphor, translated by Farzaneh Taheri. Tehran: Markaz. (in Persian).
- Fotohi, Mahmoud. (2012). Stylistics: Theories, Approaches and Methods. Tehran: Sokhan. (in Persian).
- Gill,Stephen (2006), The Cambridge companion to Wordsworth. Cambridge University Press, New York.
- Haqshenas, Abol-Qasim. (2011). Shahnameh, edited by Saeed Hamidian. Tehran: Ghatre. (in Persian).
- Hassan Li, Mustafa. (2004). The Structure and Language of Today’s Poetry, Volume 1, Tehran: Ferdows. (in Persian).
- Hosseinpour Jafi, Ali. (2005). Contemporary Persian Poetry Currents, Tehran: Amir Kabir. (in Persian).
- Jafari Jazzi, Jalal al-Din. (2007). Rhetoric and Literary Crafts. Tehran: Homa. (in Persian).
- Khadem, Maryam. (2011). Poetry Music, Tehran: Agh. (in Persian).
- Khosrownejad, Kourosh. (2000). From Linguistics to Literature, Volumes One and Two, Tehran: Sureh Mehr. (in Persian).
- Movahed, Zia. (2009). Saadi. Tehran: Tarh No. (in Persian).
- Naderpour, Nader. (1956). Eyes and Hands. Second edition: Tehran: Neel. (in Persian).
- Naderpour, Nader. (2002). Collection of poems. Tehran: Negah. (in Persian).
- Naderpour, Nader. (2003). Collection of poems, supervised by Popak Naderpour. Tehran: Negah. (in Persian).
- Rahman, Bahram. (2005). Dictionary of Literary Criticism Terms. Tehran: Fekr Rooz. (in Persian).
- Rahnema, Houshang. (2005). An Island in the Moon: Selected Poems by William Blake, 2nd Edition, Tehran: Hermes. (in Persian).
- Rezvanian, Ghodsieh and Hedayatnejad, Fatemeh. (2015). A Comparative Study of Romantic Elements in the Poetry of Sohrab Sepehri and William Blake, Comparative Literature Journal of Shahid Bahonar University of Kerman, No. 13, pp. 101-121. (in Persian).
- Salahshur, Yazdan. (2001). "In the Mirror: A Critique of Naderpour's Poetry". Tehran: Morvarid. (in Persian).
- Seyyed Hosseini, Reza. (1997). Literary Schools, Volume 1, 11th Edition, Tehran: Negah. (in Persian).
- Seyyir, Robert and Louis Michel. (2003). Translated by Yousef Abazari, Romanticism and Social Thought, Tehran: Printing and Publishing Organization. (in Persian).
- Shafi'i Kadkani, Mohammad Reza. (2011). With Lamp and Mirror (In Search of the Roots of the Evolution of Contemporary Persian Poetry), Tehran: Sokhan. (in Persian).
- Shamisa, Sirous. (2007). Bayan. Tehran: Mitra. (in Persian).
- Tharwat, Mansour. (2006). Introduction to Literary Schools, First Edition, Tehran: Sokhan. (in Persian).
- William Blake. (2015). Songs of Innocence, translated by Mohammad Sadegh Raisi, Tehran: Solar. (in Persian).
